Ellen Orwar, “Self-Effacement.” Disorder at Top Schillerpalais in Berlin, Germany. Image courtesy of artist.
Stockholm-based Kulturama photography students visiting Neukölln Berlin, posed a question for their three-day show: What is the meaning of disorder? For the 15 students in the Disorder exhibit, each answer is different, filled with surprising emotional context in every shot.
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At Top Schillerpalais‘ gallery, Disorder couldn’t be more appropriate. With people spilling out the doors and jostling bodies crowded around each installation, “disorder” seems to be everywhere. The photos show splashes of color, veiled nudity, and adult faces wearing cryptic or childlike expressions.
Katri Heinämäki. “Underestimated.” Disorder at Top Schillerpalais in Berlin, January 19, 2017. Germany. Image courtesy of artist.
At the center of the room is “Underestimated,” a five-foot tall rectangular prism covered in black-and-white photographs. Katri Heinamaki photographed the final show of Finnish punk band Pertti Kurikan Nimipäivät, whose members are all developmentally disabled in some way. The photographer says, “One has a speech impediment, another has Down Syndrome. But of course they have all the basic needs that we have: they want to drink, have their own apartment, have sex, live like everyone else. Seven years ago, they formed a band to sort of scream out about how society treats disabled people. With their music, they’ve been able to address it. They’re founded on inclusion and equality.”
Katri Heinämäki. “Underestimated.” Disorder at Top Schillerpalais in Berlin, January 19, 2017. Germany. Image courtesy of artist.
The feeling of completeness from Underestimated is challenged by the adjacent work of Ylva Sonberg’s “Naked. Eternal. Moving.” Sonberg plays with the idea of being stuck by creating spinnable, folded 3D prints that visitors can toss around.
Ylva Sonberg. “Naked. Eternal. Moving.” Disorder at Top Schillerpalais in Berlin, January 19, 2017. Germany. Image courtesy of artist.
Iselin Blitzner’s six images look like the dark side of Instagram. “This is a former mental institution house in Norway, one building of many that still exist,” she tells The Creators Project. “You could really feel the darkness in this house, the kind that keeps you from being able to come out of it. When I took these pictures, I started realizing I was interacting with my own inner disorder, capturing some of it.”
Iselin Blitzner’s “Darkness” photography at Disorder at Top Schillerpalais in Berlin, January 19, 2017. Germany. Image courtesy of artist.
The work of Ola Lewitschnik compliments Blitzner’s by looking at the external self. Microscopic images of hair, skin, and grime are magnified and enhanced. “I look for the gross and the weird, and make it into something beautiful,” he says. “Beauty comes from the unexpected, not from sticking to what we know.”
Ola Lewitschnik’s up-close images of hair, liquid, and grime at Disorder at Top Schillerpalais in Berlin, January 19, 2017. Germany. Image courtesy of artist.
Eila Björklund. “Liv,” Disorder at Top Schillerpalais in Berlin, January 19, 2017. Germany. Image courtesy of artist.
Sofia Nausikaa Eriksson’s self-portraits. Disorder at Top Schillerpalais in Berlin, January 19, 2017. Germany. Image courtesy of artist.
Ellen Orwar, “Self-Effacement.” Disorder at Top Schillerpalais in Berlin, Germany. Image courtesy of artist.
Adam Sundman’s “Dead Youth” and the subject (his father). Disorder at Top Schillerpalais in Berlin, Germany.
Adam Sundman. “Dead Youth.”Disorder at Top Schillerpalais in Berlin, Germany. Image courtesy of artist.
To see more from Kulturama and the Higher Education Photography group, click here or visit the Facebook page to find out more about the event.
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Source: vice.com