A Nearly 500-Page Monograph Chronicles Three Decades of Olafur Eliasson’s Practice
“The weather project” (2003), monofrequency lamps, projection screen, haze machines, foil mirror, aluminum, scaffolding, 26.7 x 22.3 x 155.44 meters, installation view at Tate Modern, London. Photo by Tate photography, Andrew Dunkley & Marcus Leith
A forthcoming monograph published by Phaidon packs the inimitable career of artist Olafur Eliasson (previously) into nearly 500 pages. Spanning from the 1990s to today, the expanded edition comprises a breadth of works, including “The Weather Project,” the widely acclaimed installation that took over Tate Modern in 2003, and the more recent “Life,” which flooded Fondation Beyeler in Basel last year with murky green waters. This new volume contains hundreds of photos and illustrations paired with writing by Michelle Kuo, Anna Engberg-Pedersen, and the artist himself and reflects on both the monumental public installations and smaller works that define his practice. Olafur Eliasson, Experience is currently available for pre-order on Bookshop.
“Waterfall” (2016), crane tower, water, stainless steel, pump system, hoses, ballast, 42.5 x 6 x 5 meters, installation views at Palace of Versailles. Photo by Anders Sune Berg
“Beauty” (1993), spotlight, water, nozzles, wood, hose, pump, dimensions variable, edition of 3, installation view at Long Museum, Shanghai. Photo by Anders Sune Berg
“Ice Watch” (2014), with Minik Rosing, 12 blocks of glacial ice, dimensions variable, installation views at Place du Panthéon, Paris. Photo by Martin Argyroglo
“Fjordenhus (Fjord House)” designed with Sebastian Behmann (2009–18), Vejle Fjord, Denmark. Photo by Anders Sune Berg
“Seeing Spheres” (2019), stainless steel, glass, silver, fiberglass, LEDs, 4.8 x 22 x 22 meters, each sphere, diameter 480 centimeters, installation view at Chase Center, San Francisco. Photo by Matthew Millman