From her studio in Paris, artist Julie Bergeron hand-builds amorphous stoneware vessels that mimic a wide array of creatures and lifeforms found in nature. Hollow ducts and pointed spines cover the surfaces of the cavernous forms, ambiguously evoking seed pods, tropical fruits like rambutan or durian, and small marine organisms. “I have fun mixing types, blurring the tracks… Are we in the vegetal, animal, microscopic, or human world? The borders become undefined,” she tells Colossal.
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Inspired by the biological illustrations of Ernst Haeckel, Bergeron uses a coiling technique to shape the initial bodies before engraving or covering the forms in repeating patterns. She leaves the works unglazed so that the minerality and organic textures of the clay remain intact, the final steps of a process she explains in further detail:
When I start my pieces, I don’t have a specific idea. Gradually the sculpture takes shape, and I let myself be guided by its curves and its irregularities. The name of the piece comes to me when it is finished depending on what it evokes to me or the emotion felt. Often the sculptures seem alive to me.