Artists Inspired by Music: Interscope Reimagined
akwong
Fri, 01/21/2022 – 18:34
All Eyez on Me, 2021
Ed Ruscha (United States, b. 1937)
Reimagining the 2Pac album All Eyez on Me (1996)
Acrylic on linen
Private Collection
© Ed Ruscha
Listen beautiful relax classics on our Youtube channel.
All Eyez on Me, 2021
Broken, 2021
Emily Mae Smith (United States, b. 1979)
Reimagining the Nine Inch Nails EP Broken (1992)
Oil on linen
Courtesy of the artist and Petzel Gallery, New York
© Emily Mae Smith
Broken, 2021
Newspaper Couple, 2016
John Currin (United States, b. 1962)
Reimagining the song “Beautiful Day” from the U2 album All That You Can’t Leave Behind (2000)
Oil on canvas
Gagaosian, courtesy of the artist
© John Currin
Newspaper Couple, 2016
Untitled, 2021
Richard Prince (United States, b. 1949)
Reimagining the Nine Inch Nails album The Downward Spiral (1994)
Acrylic and ink jet on canvas
Richard Prince
© Richard Prince
Untitled, 2021
HELMET, 2021
Will Boone (United States, b.1982)
Reimagining the Helmet album Meantime (1992)
Acrylic on canvas
Courtesy of the artist and David Kordansky Gallery, Los Angeles
© Will Boone
HELMET, 2021
Yeah Yeah Yeahs, 2021
Shepard Fairey (United States, b. 1970)
Reimagining the Yeah Yeah Yeahs album Fever to Tell (2003)
Stencil impression and mixed media collage on album covers
Obey Giant Art Inc.
© Obey Giant Art Inc.
Yeah Yeah Yeahs, 2021
The River’s All Wet, 2021
Chloe Wise (Canada, b. 1990, active United States)
Reimagining the Yeah Yeah Yeahs album It’s Blitz! (2009)
Oil on linen
Courtesy of the artist and Almine Rech
© Chloe Wise
Listen beautiful relax classics on our Youtube channel.
The River’s All Wet, 2021
Better Days Ahead, 2021
KAWS (United States, b. 1974)
Reimagining the Snoop Dogg album Doggystyle (1993)
Acrylic on canvas
Private Collection
© KAWS
Better Days Ahead, 2021
Addict, Re-Up, Riot, 2021
Damien Hirst (United Kingdom, b. 1965)
Reimagining the Eminem albums 8 Mile (2002), Encore (2004), Kamikaze (2018), Music to be Murdered By (2020), Music to be Murdered By – Side B (2020), Recovery (2010), Relapse (2009), Revival (2017), The Eminem Show (2002), The Marshall Mathers LP (2000), The Marshall Mathers LP 2 (2013), The Slim Shady LP (1999)
Mixed media
Private Collection
© Damien Hirst and Science Ltd. All rights reserved, DACS 2021, photographed by Prudence Cuming Associates
Addict, 2021
Re-Up, 2021
Riot, 2021
Addict, Re-Up, Riot, 2021
Untitled (Dr. Dre, The Chronic), 2021
Adam Pendleton (United States, b. 1984)
Reimagining the Dr. Dre album 2001 (1999)
Silkscreen ink on canvas
Courtesy of the artist and David Kordansky Gallery, Los Angeles
© Adam Pendleton
Untitled (Dr. Dre, The Chronic), 2021
Seeing Through Time, 2021
Titus Kaphar (United States, b. 1976)
Reimagining the Eve album Scorpion (2001)
Oil on panel
Private Collection
© Titus Kaphar
Seeing Through Time, 2021
The Breakthrough, 2021
Derrick Adams (United States, b. 1970)
Reimagining the Mary J. Blige album The Breakthrough (2005)
Acrylic on wood panel
Courtesy of the Artist
© Derrick Adams
The Breakthrough, 2021
The Watcher, 2021
Kehinde Wiley (United States, b. 1977)
Reimagining the Dr. Dre album The Chronic (1992)
Oil on canvas
Private Collection
© Kehinde Wiley
The Watcher, 2021
Untitled, 2021
Henry Taylor (United States, b. 1958)
Reimagining the song “DNA.” from the Kendrick Lamar album DAMN. (2017)
Acrylic on canvas
Private Collection
© Henry Taylor
Untitled, 2021
Good Kid, 2021
Rashid Johnson (United States, b. 1977)
Reimagining the Kendrick Lamar album good kid, m.A.A.d city (2012)
Ceramic tile, mirror, red oak, oil stick, spray enamel
Courtesy of the artist and David Kordansky Gallery, Los Angeles
© Rashid Johnson, photo by Martin Parsekian, courtesy of David Kordansky Gallery, Los Angeles
Good Kid, 2021
Roma 32, 2021
Stanley Whitney (United States, b. 1946)
Reimagining the song “King Kunta” from the Kendrick Lamar album To Pimp a Butterfly (2015)
Oil on linen
Stanley Whitney, courtesy of Lisson Gallery
© Stanley Whitney
Roma 32, 2021
Untitled, 2021
Lauren Halsey (United States, b. 1987)
Reimagining the Kendrick Lamar album To Pimp a Butterfly (2015)
Gypsum on wood
Courtesy of the artist and David Kordansky Gallery, Los Angeles
© Lauren Halsey
Untitled, 2021
Swimming in Compton: Look Ma (December Day), 2021
Reggie Burrows Hodges (United States, b. 1965)
Reimagining the song “Swimming Pools (Drank)” from the Kendrick Lamar album good kid, m.A.A.d city (2012)
Acrylic and pastel on canvas
Courtesy of the artist and Karma, New York
© Reggie Burrows Hodges
Swimming in Compton: Look Ma (December Day), 2021
Commemorative Merchandising, 2021
Sayre Gomez (United States, b. 1982)
Reimagining the 50 Cent album Get Rich Or Die Tryin’ (2003)
Acrylic on canvas
François Ghebaly Gallery
© Sayre Gomez
Commemorative Merchandising, 2021
Damn, 2021
Toyin Ojih Odutola (Nigeria, b. 1985, active United States)
Reimagining the Kendrick Lamar album DAMN. (2017)
Graphite on black board; graphite on Duralar
Private Collection
© Toyin Ojih Odutola
Damn, 2021
The Game, 2021
Fulton Leroy Washington (aka MR. WASH) (United States, b. 1954)
Reimagining The Game album The Documentary (2005)
Oil on canvas
Art by Wash, Inc.
© Fulton Leroy Washington
The Game, 2021
2 PM, 2021
Nina Chanel Abney (United States, b. 1982)
Reimagining the 2Pac album The Don Killuminati: The 7 Day Theory (1996) Collage on panel
Pace Prints and courtesy of the artist
© Nina Chanel Abney
2 PM, 2021
The Dar al harb according to Tupac. Or, Shakur vs the other world. Earth like, violent, and prone to frequent periods of injustice. Alas, if one seeks it, one can find beauty in the hideous. (Me against the world), 2021
Umar Rashid (United States, b. 1976)
Reimagining the 2Pac album Me Against the World (1995)
Acrylic and spray paint on canvas
Courtesy of Half Gallery and Blum and Poe
© Umar Rashid
The Dar al harb according to Tupac. Or, Shakur vs the other world. Earth like, violent, and prone to frequent periods of injustice. Alas, if one seeks it, one can find beauty in the hideous. (Me against the world), 2021
Venus, Just a Girl in the World, 2021
Julie Curtiss (France, b. 1982, active United States)
Reimagining the song “Just a Girl” from the No Doubt album Tragic Kingdom (1995)
Acrylic and oil on canvas
Courtesy of the artist and Anton Kern Gallery, New York
© Julie Curtiss
Venus, 2021
Just a Girl in the World, 2021
Venus, Just a Girl in the World, 2021
Gwen With All the Obstacles, 2021
Issy Wood (United States, b. 1993, active United Kingdom)
Reimagining the song “Cool” from the Gwen Stefani album Love. Angel. Music. Baby. (2004)
Oil on linen
Lent by the artist and Carlos/Ishikawa, London
© Issy Wood
Gwen With All the Obstacles, 2021
10:00, 2021
Lucy Bull (United States, b. 1990)
Reimagining the song “Spiderwebs” from the No Doubt album Tragic Kingdom (1995)
Oil on linen
Private Collection
© Lucy Bull
10:00, 2021
Dessert, 2021
Anna Weyant (Canada, b. 1995, active United States)
Reimagining the Gwen Stefani album The Sweet Escape (2006)
Oil on canvas
Courtesy of the artist and Gagosian
© Anna Weyant
Dessert, 2021
No title (Lake Placid), 2019
Raymond Pettibon (United States, b. 1957)
Reimagining the Lana Del Rey album Norman Fucking Rockwell! (2019)
Ink on paper
Courtesy the artist and David Zwirner
© Raymond Pettibon
No title (Lake Placid), 2019
The Outside World, 2018
Matthew Wong (Canada, 1984–2019)
Reimagining the Lana Del Rey EP Paradise (2012)
Gouache on paper
Matt Wong Painter Ltd
© Matthew Wong
The Outside World, 2018
Lana Watched, 2021
Jenna Gribbon (United States, b. 1978)
Reimagining the Lana Del Rey album Born to Die (2012)
Oil on linen
Private Collection
© Jenna Gribbon
Lana Watched, 2021
Seeking Hearts (Black Sand MT, Pink Sand, Pink CS, Pink Ground), 2021
Jennifer Guidi (United States, b. 1972)
Reimagining the BLACKPINK album The Album (2020)
Sand, acrylic and oil on linen
Private Collection
© Jennifer Guidi
Seeking Hearts (Black Sand MT, Pink Sand, Pink CS, Pink Ground), 2021
Untitled, 2021
Henni Alftan (Finland, b. 1979, active France)
Reimagining the Olivia Rodrigo album SOUR (2021)
Oil on canvas
Courtesy of the artist and Karma, New York
© Henni Alftan
Untitled, 2021
Untitled, 2021
Hilary Pecis (United States, b. 1979)
Reimagining the Selena Gomez album Rare (2020)
Acrylic on canvas
Private Collection
© Hilary Pecis
Untitled, 2021
Portrait with a Parrot, 2021
Nicolas Party (Switzerland, b. 1980, active United States)
Reimagining the Lady Gaga album Joanne (2016)
Pastel on cardboard
Private Collection, courtesy of Karma, New York
© Nicolas Party
Portrait with a Parrot, 2021
Mandalora Squeeze, 2019
Loie Hollowell (United States, b. 1983)
Reimagining the Lady Gaga album The Fame Monster (2009)
Oil paint, acrylic medium and case resin on linen over panel
Private Collection
© Loie Hollowell
Mandalora Squeeze, 2019
Shock Value, 2021
Burnt Toast (Canada, b. 1987)
Reimagining the Timbaland album Shock Value (2007)
Digital file
Courtesy of the artist
© Burnt Toast
Shock Value, 2021
If Teardrops Could Be Bottled, 2021
Cecily Brown (United Kingdom, b. 1969)
Reimagining the Billie Eilish EP don’t smile at me (2017)
Oil on linen
Courtesy of the artist
© Cecily Brown, photo by Genevieve Hanson
If Teardrops Could Be Bottled, 2021
One, Two, Three for Billie, 2021
Lisa Yuskavage (United States, b. 1962)
Reimagining the Billie Eilish album Happier Than Ever (2021)
Oil on linen
Private Collection
© Lisa Yuskavage
One, Two, Three for Billie, 2021
Intermission, 2021
Anna Park (South Korea, b. 1996, active United States)
Reimagining the Billie Eilish album When We All Fall Asleep, Where Do We Go? (2019)
Charcoal on paper mounted on panel
Private Collection
© Anna Park
Intermission, 2021
The End, 2021
OSGEMEOS (Brazil, b. 1974)
Reimagining the Black Eyed Peas album The E.N.D. (2009)
Mixed media on MDF
OSGEMEOS
© OSGEMEOS
The End, 2021
Blackstreet Harmony, 2021
Ferrari Sheppard (United States, b. 1983)
Reimagining the song “No Diggity” (featuring Dr. Dre and Queen Pen) from the Blackstreet album Another Level (1996)
Acrylic, charcoal and 24k gold on canvas
Ferrari Sheppard Studio
© Ferrari Sheppard
Blackstreet Harmony, 2021
6Lack – Black Woolen Hat, 2021
Amoako Boafo (Ghana, b. 1984, active Ghana and Austria)
Reimagining the 6LACK album Free 6LACK (2016)
Oil on canvas
Courtesy of the artist and Roberts Projects Los Angeles, California
© Amoako Boafo
6Lack – Black Woolen Hat, 2021
Goodbye & Good Riddance, 2021
Takashi Murakami (Japan, b. 1962)
Reimagining the Juice WRLD album Goodbye & Good Riddance (2018)
Acrylic on canvas mounted on wood frame
Kaikai Kiki Co Limited
© Takashi Murakami
Goodbye & Good Riddance, 2021
Black Woman Saint Cleans Jesus, 2021
Genesis Tramaine (United States, b. 1983)
Reimagining the Summer Walker album Over It (2019)
Acrylic, oil paint, Lawry’s Seasoning Salt, the Holy Spirit
Courtesy of the artist and Almine Rech
© Genesis Tramaine
Black Woman Saint Cleans Jesus, 2021
We Share Our Chemistry with the Stars (MGK200), 2021
Marc Quinn (United Kingdom, b. 1964)
Reimagining the Machine Gun Kelly album Tickets to My Downfall (2020)
Oil on canvas
© Marc Quinn
We Share Our Chemistry with the Stars (MGK200), 2021
Bloody Valentine, 2021
Jordy Kerwick (Australia, b. 1982, active France)
Reimagining the song “Bloody Valentine” from the Machine Gun Kelly album Tickets to My Downfall (2020)
Acrylic on canvas
Private Collection, courtesy of Vito Schnabel Gallery
© Jordy Kerwick
Bloody Valentine, 2021
Seeing Sounds, 2021
Burnt Toast (Canada, b. 1987)
Reimagining the N*E*R*D album Seeing Sounds (2008)
Digital file
Courtesy of the artist
Seeing Sounds, 2021
Source: lacma.org