Billowing Garments Encompass Diverse Narratives in Johanna Goodman’s Monumental Collages

“Plate No. 371.” All images © Johanna Goodman, shared with permission

Known for her vivid collages of female figures whose billowing garments embody an array of landscapes, architecture, flora, fauna, artworks, and symbolic objects, Johanna Goodman continues to celebrate the dynamism and diversity of women throughout the ages. Sourcing photographs and motifs from the public domain in addition to her own photographs, her ongoing Catalogue of Imaginary Beings series (previously) encompasses a broad spectrum of historical and contemporary imagery.

Listen beautiful relax classics on our Youtube channel.

Monumental women confront the edges of these works, some of which are life-size at six feet tall, and their towering presence and voluminous dresses are ripe for messages and portraits of influential figures. Goodman’s response to the U.S. Supreme Court’s decision to overturn Roe v. Wade in June of this year spurred a series of collages that contain dozens of protest posters and slogans supporting the right to bodily autonomy. Many of the artist’s pieces are titled as numbered plates, such as “Plate No. 337, Ruth Bader Ginsburg,” referencing tipped-in color plates in old history and art books that were printed separately from the rest of the volume and often glued into place.

Goodman’s work will be included in the exhibition Drawings You’ve Never Seen at Egg Collective in Tribeca, which opens September 1. You can find more of her work on her website and Instagram.


“Plate No. 425”

Left: “Plate No. 464.” Right: “Plate No. 337, Ruth Bader Ginsburg”

“In Us We Trust,” poster design for Persisticon V

“Plate No. 42”

“Plate No. 277”

Left: “Plate No. 385.” Right: “Plate No. 456”

“Plate No. 446”


No votes yet.
Please wait...