From her Pennsylvania studio, Christina Bothwell (previously) sculpts surreal hybrid creatures and figures that occupy the unearthly space between dreams and wakefulness. She works with a combination of annealed glass, pit-fired ceramics, oil paint, and small mosaic tiles, which each correspond to a conceptual element. “I always come back to the idea that the physical part of us is just a small part of who we are in our entirety,” the artist tells Colossal. “The translucent parts of my pieces are meant to suggest the soul or that part of us that is more than just our bodies. The ceramic portions of my pieces represent our grounded, tangible parts.”
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In her most recent body of work, Bothwell continues her explorations into the liminal and states of flux: a slumbering child appears to float from its sleeping counterpart in “Lucid Dream,” while another lies upside down in “Mood Swing.” Many of the sculptures are tinged with themes of magic, imagination, and escapism, which are reflected in the ways that human bodies meld with birds, monkeys, octopuses, and deer. She explains:
I was a sensitive child with eccentric parents who didn’t fit in. I didn’t even fit in with my family a lot of the time. It was like I was a changeling or an alien they were forced to live with. I felt like an outsider for most of my life, and it always felt precarious, unsafe, being who I was. For this reason, I think I identify with deer… despite their beauty and grace, they are not protected or valued (at least not where I live), and their vulnerability and innocence resonates with something deep within me.
Bothwell’s fantastical works will be on view at Habatat Gallery and Muskegon Museum of Art as part of the upcoming Beyond the Glass Ceiling, Influential Women in Glass exhibition and again this summer at Tory Folliard Gallery in Milwaukee. Until then, explore more of her sculptures on Instagram.