Sir Ian McKellen kept an online diary between 1999 and 2003 that chronicled his time filming The Lord of the Rings trilogy. He calls the first part of it The Grey Book, followed by The White Book, and it’s delightful.
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So the journey has begun without me. On Monday 11th October, Elijah Wood et al gathered in Hobbiton — and I hear they are behaving themselves! I have been in Toronto, masquerading as Magneto, the master of magnetism, on the set of Bryan Singer’s “X-Men.” I have just sent Peter Jackson an e-mail of good luck. I don’t expect an immediate reply — directing a film is totally time-consuming.
Meanwhile, Tolkien aficionados are mailing to the “Grey Book.” From teenagers and readers old as wizards come the advice, the demands, the warnings — united by the hope that the film’s Gandalf will match their own individual interpretations of the Lord of the Rings. I take comfort from the general assurance that they approve of the casting (not just of me but of all the other actors so far announced – thrilling news that Cate Blanchett is joining us.) Yet how can I satisfy everyone’s imagined Gandalf? Simply, I can’t.
I recognise the responsibility of course. It’s not as if LOTR were a play that could be revived over and over, each new cast adding to the discoveries that their predecessors have made. The Jackson trilogy will be unique. It is, after all, unlikely that there will be a re-make any time soon – although there have already been the cartoon “Hobbit” (which I have yet to see) and the BBC’s radio LOTR (with Ian Holm as Frodo). But some of my correspondents seem to think that actors are essayists or critics who analyse a character’s complexities and then parade them, like sticking on a false beard. It’s just not like that.
It bears repeating that, as with Richard III or James Whale or Magneto, I must discover Gandalf somewhere inside myself – and that process depends on absorbing the words of the script and its story, listening to the reactions of the director and responding to the performances of the rest of the cast. So now, still 3 months away from shooting (for me), my Gandalf doesn’t exist, not even in my mind. He will only come to life as the camera turns and discoveries are made in the very moment. Even when I am in the thick of it, in costume and make-up and speaking Tolkien’s words, I’m not sure I will be able to describe the character to you. Actors don’t describe – they inhabit.
You can read McKellen’s musings of his Gandalf experience in chronological order at his site, or in its original form through the Internet Archive. -via Kottke
Source: neatorama