In his ongoing series titled Thin Places, Portland-based photographer Brendon Burton documents battered houses that stand alone in barren fields, amidst an encroaching marsh, or at the edge of the mountain. The decrepit structures have been Burton’s preferred subject matter since 2011 when he began seeking abandoned buildings across the continent that exude a sense of impermanence and the uncanny. “This series is for the sake of satisfying my curiosity about the past and exploring isolated parts of North America. It mixes archeology with fantasy,” he says.
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Derived from Celtic culture, Thin Places refers to locales “where heaven and earth grow thin,” Burton says. “Traditionally, the term was meant as a place one would feel closer to God, or something otherworldly. In a more modern sense, it’s a form of liminality, areas that feel transitory.” Each property is shot with a drone, offering a detached view of the once-occupied spaces and a brief encounter with their former use. “What makes people leave, and what keeps things standing? How much of a life gets left along with it?” he asks.