Since March 2020, artist and designer Sho Shibuya has fostered a ritualistic creative practice of painting the morning sunrise on the cover of The New York Times, a routine he describes in a new interview supported by Colossal Members. The daily project was born out of lockdown and the COVID-19 pandemic, although it’s evolved into a broad body of work that transcends the artist’s original intent for the pieces.
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The process of flipping through the newspaper, watching the sunrise, and then painting every morning is quite meditative… But I treat the paintings the same as eating or sleeping; a vital part of my daily routine. It’s a little mission for myself, to capture the sunrise every day as a visual diary.
In this conversation, Shibuya speaks with Colossal managing editor Grace Ebert about the ongoing series and the addition of more sculptural, conceptual works that respond to politics and current events. They discuss his pared-down, measured approach to conveying complex subject matter, the fluctuating relationship between concept and visual, and his fascination with humble, everyday materials.