LOS ANGELES — Los Angeles has become home to three new art fairs over the past few years, including multi-national Frieze, swanky hometown hotel affair Felix, and DIY venture Spring/Break. While those events are all a couple weeks away, LA’s longest-running art fair, the LA Art Show, takes place this weekend at the city’s downtown Convention Center, showcasing more than 120 exhibitors from all over the world in its 29th edition. These younger fairs have stolen much of the limelight, making the LA Art Show seem a bit like an out-of-touch uncle, featuring artwork that may please the eye but is largely removed from relevant currents in the larger art world. However, between the weeds— and there are a lot of them — lie some surprising discoveries that are worth the effort to uncover.
On Thursday afternoon, Robert Vargas was in his booth painting a large mural titled “The World House,” inspired by a term used by Martin Luther King Jr. Vargas was selecting his subjects on site, creating a diverse, multiracial portrait of fairgoers. He took a break from his work to speak with a group of students from the Compton Early College High School, an interaction underscoring the fair’s unfussy and accessible tone. “It’s like they’re in my studio,” Vargas told Hyperallergic.
Another highlight was DIVERSEatLA, a non-commercial section featuring artwork focused on AI and memory. These included Guillermo Bert’s laser-cut sculptures of Latinx nurses, farmers, and activists who worked through COVID-19, Laleh Mehran’s entropic drawing machine, and Antuan’s hypnotizing immersive installation “Be Water” (2024). The standout was Colombian-born artist Carlos Castro Arias’s Mythstories, tapestries and sculptures that layer contemporary conspiracies with historical myths and fictions, including the Heaven’s Gate cult, Area 51, 9/11, and the rumor that drug lord Pablo Escobar created a unicorn. Arias was cagey when asked how the murals were made, echoing the works’ slippery veracity — “sometimes I say my grandmother wove them,” he said.
Carlos Castro Arias, “Transfiguration” (2024), assemblage (floor) and “The Living Prophets, Heaven’s Gate” (2021), woven tapestry (wall); in Mythstories, presented by MAC, Bogotá, Colombia, as part of DIVERSEartLA
Carlos Castro Arias, “Transfiguration” (2024), assemblage (floor) and “The Living Prophets, Heaven’s Gate” (2021), woven tapestry (wall); in Mythstories, presented by MAC, Bogotá, Colombia, as part of DIVERSEartLA
Carlos Castro Arias, “Transfiguration” (2024), assemblage (floor) and “The Living Prophets, Heaven’s Gate” (2021), woven tapestry (wall); in Mythstories, presented by MAC, Bogotá, Colombia, as part of DIVERSEartLA
Street Art and Pop Surrealism were on view at several booths, much of it unmemorable, although there were a few highlights, such as the Beyond the Streets Gift Shop, which was packed with reasonably priced prints, photographs, and ephemera from Mister Cartoon, Estevan Oriol, Kenny Scharf, Rammellzee, and many others. Copro Gallery’s booth was notable for its maximalist exuberance, typified by Jim McKenzie’s 7-foot-tall sculpture “Giant Potato Face” (2023).Tokyo’s Shueisha Manga-Art Heritage presented collaborations by the late Manga artist Fujio Akatsuka and 87-year old Japanese icon Keiichi Tanaami that fused youthful/punk/sci-fi/gonzo energy with meticulous printing techniques. Their mobile tea house, which visitors could enter after taking off their shoes, felt like a sacred ritual space for teenage heshers.
A view down the aisle of LA Art Show 2024
A view down the aisle of LA Art Show 2024
A view down the aisle of LA Art Show 2024
At the other end of the spectrum, a small number of galleries represented the old school, with engaging presentations of Post-impressionism and classical modernism. Jane Kahan Gallery, who has been exhibiting at the fair for about 25 years, according to director Pablo Morales, specializes in textiles and tapestries made by artists, with striking examples by Picasso, Léger, Raoul Dufy, and Jean Lurçat. A 1974 tapestry by Marc Chagall, “L’Ange Passant,” was priced at $5.5 million, perhaps the most expensive work at the auction.
Strolling through the aisles on Thursday afternoon, the fair was pleasantly uncrowded, a far cry from the throngs that will no doubt be descending on the Barker Hangar and Roosevelt Hotel later this month. Asked whether he thought the new fairs would detract from this long-running institution, Vargas, who has painted onsite at the LA Art Show for a decade, replied, “The more art fairs the better — but you have to tip your hat to a fair that’s been here as long as this one has.”
A view of gathering spaces at LA Art Show 2024 with booths in background
A view of gathering spaces at LA Art Show 2024 with booths in background
A view of gathering spaces at LA Art Show 2024 with booths in background
Carlos Castro Arias, “The Narco Arc,” woven tapestry
Carlos Castro Arias, “The Narco Arc,” woven tapestry
Carlos Castro Arias, “The Narco Arc,” woven tapestry
Antuan, “Be Water” (2024), presented by AAL Museum, Santiago, Chile, as part of DIVERSEartLA
Antuan, “Be Water” (2024), presented by AAL Museum, Santiago, Chile, as part of DIVERSEartLA
Antuan, “Be Water” (2024), presented by AAL Museum, Santiago, Chile, as part of DIVERSEartLA
Guillermo Bert, “The Warriors” (2023–24), presented by the Nevada Museum of Art as part of DIVERSEartLA
Guillermo Bert, “The Warriors” (2023–24), presented by the Nevada Museum of Art as part of DIVERSEartLA
Guillermo Bert, “The Warriors” (2023–24), presented by the Nevada Museum of Art as part of DIVERSEartLA
Robert Vargas and students from Compton Early College High School
Robert Vargas and students from Compton Early College High School
Robert Vargas and students from Compton Early College High School
Keiichi Tanaami and Fujio Akatsuka, “Tanaami Tea Ceremony” (2023) at Shueisha Manga-Art Heritage
Keiichi Tanaami and Fujio Akatsuka, “Tanaami Tea Ceremony” (2023) at Shueisha Manga-Art Heritage
Keiichi Tanaami and Fujio Akatsuka, “Tanaami Tea Ceremony” (2023) at Shueisha Manga-Art Heritage
Keiichi Tanaami and Fujio Akatsuka, “Tanaami Tea Ceremony” (2023) (interior) at Shueisha Manga-Art Heritage
Keiichi Tanaami and Fujio Akatsuka, “Tanaami Tea Ceremony” (2023) (interior) at Shueisha Manga-Art Heritage
Keiichi Tanaami and Fujio Akatsuka, “Tanaami Tea Ceremony” (2023) (interior) at Shueisha Manga-Art Heritage
Jose Luis Zuno at booth of Tizoc gallery
Jose Luis Zuno at booth of Tizoc gallery
Jose Luis Zuno at booth of Tizoc gallery
Works by Sori Choi at booth of Art in Dongsan, Seoul, South Korea
Works by Sori Choi at booth of Art in Dongsan, Seoul, South Korea
Works by Sori Choi at booth of Art in Dongsan, Seoul, South Korea
Brittney S. Price, “Ours 2 Be” (2023), acrylic on Canvas, 60 x 72 inches, presented by Valence Studio/NextDoor
Brittney S. Price, “Ours 2 Be” (2023), acrylic on Canvas, 60 x 72 inches, presented by Valence Studio/NextDoor
Brittney S. Price, “Ours 2 Be” (2023), acrylic on Canvas, 60 x 72 inches, presented by Valence Studio/NextDoor
Works by Jim Vogel at Blue Rain Gallery, Santa Fe, New Mexico
Works by Jim Vogel at Blue Rain Gallery, Santa Fe, New Mexico
Works by Jim Vogel at Blue Rain Gallery, Santa Fe, New Mexico
Works by Andy Moses, Carole Feuerman, and Anthony James at booth of Melissa Morgan Fine Art, Palm Desert, California
Works by Andy Moses, Carole Feuerman, and Anthony James at booth of Melissa Morgan Fine Art, Palm Desert, California
Works by Andy Moses, Carole Feuerman, and Anthony James at booth of Melissa Morgan Fine Art, Palm Desert, California
Works by Marc Chagall at Jane Kahan Gallery, New York, New York
Works by Marc Chagall at Jane Kahan Gallery, New York, New York
Works by Marc Chagall at Jane Kahan Gallery, New York, New York
View of booth at Copro Gallery, Santa Monica, California
View of booth at Copro Gallery, Santa Monica, California
View of booth at Copro Gallery, Santa Monica, California
Works by Lorraine Bubar at booth of 1202 Contemporary, Gilroy, California
Works by Lorraine Bubar at booth of 1202 Contemporary, Gilroy, California
Works by Lorraine Bubar at booth of 1202 Contemporary, Gilroy, California
Work by Sadofsky & Trantina at Building Bridges Art Exchange, Santa Monica, California
Work by Sadofsky & Trantina at Building Bridges Art Exchange, Santa Monica, California
Work by Sadofsky & Trantina at Building Bridges Art Exchange, Santa Monica, California
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