Olivier Lovey creates large-scale tricks of the eye by installing photographs in-line with their surroundings. The series, Miroirs aux alouettes, “confuses the real and its double. I question the limits of image and representation,” Lovey explains. “I revisit the notion of perspective, trompe l’oeil and mise en abyme“. Lovey creates his illusions both in gallery settings as well as outdoors. “Anachronie” turns a roadside billboard into a reflection of the surrounding mountains, while “Pasteboard” turns a building into a hollow facade of itself. See more of the Swiss artist’s multi-media work on his website and Instagram. If you enjoy Lovey’s work, also check out Chris Engman’s immersive photograph installations. (via Colossal Submissions)
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