Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.
Nigerian artist Arinze Stanley works with graphite and charcoal pencils on large sheets of cartridge paper to render enormous portraits of his subjects. Spending upwards of 200 hours on an artwork, Stanley agonizes over the most minute details of each piece to painstakingly capture reflections of light, droplets of sweat, or tangles of hair.
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Where some hyperrealistic artists lean towards idealized perfection, Stanley instead focuses on pure realism, infusing portraits with a raw sense of emotion and drama. The scale of each piece, always slightly larger than life, adds an uncanny three-dimensional aspect.
Stanley recently exhibited work at Omenka Gallery and you can see more of his works (and pieces in progress) on Facebook. (via ARTNAU, Juxtapoz)
Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.
Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.
Till He Comes, 2017. Progress photo. Graphite and charcoal pencils.
INSOMNIA, 2017. 27″ X 42″. Progress photo. Graphite and charcoal pencils on Strathmore 300 Bristol (smooth) paper.
INSOMNIA, 2017. 27″ X 42″. Progress photo. Graphite and charcoal pencils on Strathmore 300 Bristol (smooth) paper.
INSOMNIA, 2017. 27″ X 42″. Progress photo. Graphite and charcoal pencils on Strathmore 300 Bristol (smooth) paper.
Desolation, 2016. Progress photo. Graphite and charcoal pencils.
Desolation, 2016. Graphite and charcoal pencils.
FAMISHED (Disturbia series), 2016. Progress photo.
FAMISHED (Disturbia series), 2016. 26″ x 36″. Graphite and charcoal on Cartridge paper.
Innocence, 2016. 33” X 23.4″. White and black charcoal pencils and graphite pencils on Lambeth Cartridge paper.
Source: thisiscolossal.com