Marcia Hafif at Parrasch Heijnen

Artist: Marcia Hafif

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Venue: Parrasch Heijnen, Los Angeles

Exhibition Title: Marcia Hafif: Paintings, 2000 – 2014

Date: November 11 – December 19, 2020

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Full gallery of images, press release and link available after the jump.


Images courtesy of Parrasch Heijnen, Los Angeles

Press Release:

Parrasch Heijnen is pleased to announce Marcia Hafif: Paintings, 2000 – 2014, the gallery’s first exhibition with the late artist. This exhibition comprises eleven works depicting the breadth of Hafif’s later painting styles including diptych Fresco: Pale Paintings, TGGT (Tomatoes, Grapes and Green Tea), Shade Paintings, and the Pacific Ocean near monochromes.

Hafif’s temporal bodily process is in opposition to formal abstraction. Throughout her oeuvre, Hafif’s small, tempera-like vertical strokes and energized reductive forms are a focused meditation on color. Her process marks the duration of time through the amassing of lines that ultimately emerge into forms of continuity.

The artist’s hand is visible in the slight variations of repetitive gestures on the surface of the plane. The imprint of Hafif’s brush pressing against the surface and its subsequent release allows the paint to remain active and intentionally inconsistent, yet still harmonious. She allows the medium and her body to take its natural course, released of any outer force.

Central to Hafif’s practice is her experimentation with pigment, mixing her own paint to create visually intense colors and pairings. The seriality of the work provides regulated experimentation and contrasting juxtaposition to view the difference in tones. The Golden Mean philosophy of “nothing to excess” influenced Hafif as a guide for balance most literally seen in her TGGT and diptych works.

With unhurried control, Hafif painted for the love of color and the nuances that mixing just a touch of pigment can provide. Her earthen hues, derived from observation and experience, as in her Pacific Ocean series, reference the calming elemental effect of ephemeral light. Transplanted as memories infused on canvas, they are an assertion of presence.

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Marcia Hafif (b. 1929, Pomona, CA, d. 2018, Laguna Beach, CA) has been widely exhibited since 1964. After graduating from Pomona College in 1951, she planned a year-long trip to Florence in 1961. Hafif settled in Rome, where she remained for almost eight years, painting and exhibiting work she called “Pop-Minimal.” Returning to California in 1969, she briefly left painting to experiment with film, photography, and sound installation. Hafif completed her MFA at the University of California, Irvine while working as a teaching assistant for Craig Kauffman. In 1971, Hafif moved to New York City to search out a return to painting at a time when its survival was in doubt. On the morning of January 1,1972 Hafif made her first “pencil on paper” drawing. Using short vertical marks, she covered from top to bottom a 24 x 18 inch sheet of drawing paper. This bodily method was later used in the development of her “color study” paintings. Between 1974 -1981 she exhibited with Sonnabend Gallery in Soho and Paris showing her serial works: The Inventory, 1974, Mass Tone Paintings; 1975, Wall Paintings; 1976, Pencil Drawings; 1978, Neutral Mix Paintings; 1979, Broken Color Paintings presented at The Clocktower with Alanna Heiss; and 1981, Black Paintings.

Hafif exhibited extensively in Europe and the United States. Major museum exhibitions include: MoMA PS1, New York, NY, 1990; Haus für Konstruktive und Konkrete Kunst, Zurich, CH, 1995; FRAC Bourgogne, Dijon, FR, 2000; MAMCO, (Musée d’art modern et contemporain), Geneva, CH, 2001; Laguna Art Museum, CA, 2015; Kunsthaus Baselland, Basel, CH, 2017; Kunstmuseum St. Gallen, CH, 2017; Lenbachhaus, Munich, DE, 2018; Pomona College Museum, Claremont, CA, 2018; MAMCO, Geneva, CH 2019; Marcia Hafif: Ideal Woman, Tate Modern, London, UK, 2020; and Marcia Hafif: Pigment as Shape, MARe, Bucharest, RO, 2020. Recent exhibitions include: Marcia Hafif: Remembered, Fergus McCaffrey, New York, NY, 2018; Spilling Over: Painting in the 1960s, Whitney Museum of American Art, New York, NY, 2019; Marcia Hafif: Life = Work, Galerie Michael Sturm, Stuttgart, DE, 2019; and Marcia Hafif, Galerie Hubert Winter, Vienna, AT, 2020.

Hafif’s work can be found in the collections of: Albright-Knox Art Gallery, Buffalo, NY; the Art Institute of Chicago, Chicago, IL; Kunsthaus Aarau, Aarau, CH; Kunstmuseum St. Gallen, Gallen, CH; Laguna Art Museum, Laguna Beach, CA; Mamco, Museum of Modern and Contemporary Art, Geneva, CH; Museum of Contemporary Art, Los Angeles, CA; and Museum of Modern Art, New York, NY, among others.

Marcia Hafif: Paintings, 2000 – 2014 will be on view in the main gallery from November 11 – 25. Select works will be on view until December 19 in the gallery’s private viewing room available as an in-person experience by scheduling a timed visit. The full exhibition will be accessible through our online viewing room from November 11 – December 19, 2020. The gallery is located at 1326 South Boyle Avenue, Los Angeles, CA 90023, with secure, private parking onsite. We will provide a doors- open, socially distanced experience to safely welcome you to view the exhibition. Gallery staff are also available to guide you through our exhibitions virtually via Zoom. For more information, please contact the gallery at +1 (323) 943-9373 or [email protected]

Link: Marcia Hafif at Parrasch Heijnen

The post Marcia Hafif at Parrasch Heijnen first appeared on Contemporary Art Daily.


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