“My style is always evolving, but I think a common thread throughout is that my work always appears to have something almost wrong with it,” explains New York designer Noah Beckwith. “I like to think of it as teetering on the brink of disaster. Lately I’ve been exploring ugliness and precision as a means of constructing beauty or intrigue. I’ve been imposing restrictions on myself, and forcing myself to use certain colours, elements or typefaces with little compromise.”
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