Ahead of experiencing RCA alumni Paloma Proudfoot’s exhibition at the Cob Gallery we were sent an essay by the artist. Written as if hurriedly spoken, there was an urgency, a palpable energy and a visceral quality to her words. They called into question inspirations as an artist, the messy often haphazard approach to shows, how through widening our view and not shackling ourselves with a sense of how a project might be approached we can open up its possibilities. Her words, like her ceramics hit an inner point — then twist and turn us from within, calling into question our response to objects; their ability to evoke memories and the potentially heavy-hitting responses.
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Source: itsnicethat