Over 160 non-fungible tokes (NFTs) of works from Swedish artist Hilma af Klint’s Paintings for the Temple series were released for sale by the digital art company Acute Art and Stolpe Publishing on Pharrell Williams’s GODA (Gallery of Digital Assets) platform this week — despite the strong objections of a relative of the artist.
“Even if you don’t believe in spirits, everyone carries spiritual beliefs and aspirations for something higher in life,” Hedvig Ersman, the granddaughter of af Klint’s nephew, Erik af Klint, said in an interview with Hyperallergic. “Hilma af Klint’s paintings speak to us about that … That they’re being monetized, and itemized, and sold as NFTs — this completely goes against the will of Hilma af Klint.”
Listen beautiful relax classics on our Youtube channel.
GODA, Acute Art, and Stolpe Publishing have not yet responded to Hyperallergic’s immediate request for comment.
Af Klint began work on her magnificent Paintings for the Temple cycle in 1906. Although few were aware of it at the time, the series would mark a watershed moment for art history, which had up until then never seen abstract, nonrepresentational art quite like it. Unabashed in her use of simple and joyful shapes and colors, af Klint was deeply influenced by spiritualism and Theosophy, a movement popular in the Western world at the turn of the century which unified philosophy, science, and South Asian religious traditions. Af Klint understood her works in the Paintings for the Temple series — which she worked on for almost a decade — to be part of her mystical practice. Given their esoteric quality, she insisted that they not be seen for two decades past her death.
The NFT sale includes 162 works. The remaining 31 works in af Klint’s series have also been transformed into NFTs but will be kept “non-commercial” and will remain with Stolpe Publishing. Ersman questioned why the 31 NFTs were being kept off the market, and condemned their individual sale.
“She saw these paintings as all part of one project. They were meant to be kept together,” Ersman told Hyperallergic. “They’re not meant for a person to have hanging on their wall in the living room. Now, with the NFT, they’re commercializing it, using Hilma af Klint’s name and reputation to subvert her message.”
Acute Art has worked with contemporary artists like Jeff Koons, Anish Kapoor, Marina Abramović, and KAWS to produce NFTs and works in virtual and augmented reality. Hilma af Klint is the only non-contemporary artist listed on its website.
Three members of the board of the Hilma af Klint Foundation — first established in 1972 by Hilma’s nephew Erik af Klint, who inherited all her works and notes — are in leadership at Stolpe’s parent group, the Ax:son Johnson Foundation. An additional member of its board is the director of Acute Art. Although the NFT project is not endorsed by the Foundation, a press release announcing the sale marketed it as a “digital extension” of af Klint’s catalogue raisonné publishing late this year — which did get the Foundation’s official stamp of approval.
In response to Hyperallergic’s request for comment, Jessica Höglund, CEO of the Hilma af Klint Foundation, said the foundation has not made any statements regarding the legality of the NFTs. Because af Klint’s works are in the public domain, she said, “the Foundation is not in [a] position to either permit or oppose third third party reproductions of Hilma af Klint’s work (irrespective of whether such reproductions are posters or NFTs).”
Ersman said that despite the copyright expiration on af Klint’s work, those related to the artist continue to hold moral rights to it — which permit her to protest the way they are being used.
The paintings, she said, “are transcendental and holy for Hilma. If we’re respecting Hilma, we must respect them as such.”