Removal of Painting of Japanese Kamikaze Pilots at Beijing’s UCCA Center Generates Allegations of Censorship

A painting by the Chinese artist Li Songsong is the subject of a censorship row at the UCCA Center for Contemporary Art in Beijing.

The painting was removed from an exhibition there following reports that the work had been the subject of official complaints to Chinese authorities. Details around the exhibition in which the work was displayed have since been removed from the museum’s website.

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This summer, images of the work circulated via Weibo, a Chinese social media platform. Several users took to the channel to express concerns over this work, which draws on a photograph of Japanese kamikaze pilots during World War II.

Before the work’s removal, the painting, titled Six Men (2008), was on display in the exhibition “Common Ground,” which was mounted to mark the museum’s 15th anniversary of the museum’s founding by the Belgian collectors Guy and Myriam Ullens. Separated into five parts, the exhibition featured around 100 works by 53 Chinese and international artists, many of which are owned by members of the museum’s foundation council, a patron group.

Loaned from the collection of Beijing-based entrepreneur Liu Lan, who focuses on Chinese contemporary art, the work previously went on display in 2011 at museums across Beijing, Shanghai, and Guangzhou without spurring complaints. Liu could not be immediately reach for comment by ARTnews.

Li, who is represented by Pace Gallery, is well known in his native Beijing for his thickly-layered paintings that use historical imagery to touch on political events from China’s recent past. The work was included in a section titled “Images and Forgetting,” curated by Bian Ka, alongside other works by artists such as Shi Chong, Yang Fudong, Zhang Ding, and Zhang Xiaogang.

Since the work’s previous display in 2011, China’s government has taken actions to limit public speech, censoring media outlets and artists since President Xi Jinping’s appointment in 2013. More recent reports of rising nationalist and anti-Japanese sentiments have also circulated.

The exhibition closed on August 7, a week earlier than initially scheduled. The museum is currently closed to the public, according to a report by the ArtAsiaPacific.

Source: artnews.com

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