A. D. Coleman, an indepent critic, outlines the history of the Pictorialism movement within photography, it’s decline and dismissal, and it’s contemporary revival as an art form. This lecture is presented as part of the Truth, Lies, and Photographs symposium in conjunction with the exhibition Faking It: Manipulated Photography before Photoshop.
The exhibition is made possible by Adobe.
This program is made possible by Joyce Frank Menschel.
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