Organized in conjunction with the exhibition “A Revolutionary Impulse: The Rise of the Russian Avant-Garde,” this scholars’ panel addresses the myriad ways in which an art object can be revolutionary.
Learn more about the exhibition: “A Revolutionary Impulse: The Rise of the Russian Avant-Garde”
Masha Chlenova, independent art historian and curator;
Devin Fore, Professor, German Department, Princeton University;
Maria Gough, Joseph Pulitzer, Jr. Professor of Modern Art, Department of History of Art and Architecture, Harvard University;
Christina Kiaer, Associate Professor, Department of Art History, Northwestern University;
Kristin Romberg, Assistant Professor, Art History, University of Illinois at Urbana-Champaign
Moderated by Roxana Marcoci, Senior Curator, Department of Photography, and Sarah Suzuki, Curator, Department of Drawings and Prints, The Museum of Modern Art.
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Image credit: El Lissitzky. “Proun 19D. “1920 or 1921. Gesso, oil, varnish, crayon, colored papers, sandpaper, graph paper, cardboard, metallic paint, and metal foil on plywood. The Museum of Modern Art, New York. Katherine S. Dreier Bequest
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