For Owen Gent, texture and shadow are essential narrative tools. The Bristol-based artist fosters a robust personal practice and works with commercial clients, authors, and various publications to create moody illustrations rich with metaphor. In one work evoking the emotional toll of cancer, trauma, and depression, a figurative silhouette draws back a woman’s hair to survey the surroundings while still protected by the strands. An unsettling piece takes a similarly introspective and psychological approach as black crows circle a subject, one on fire and another grasping at the person’s eye.
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Gent tells Colossal that his works begin with analog techniques like painting, and digital manipulation comes later. “It’s a constant push and pull between the two, and I try and be conscious of not losing too much of the original piece when editing,” he says.
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