Untitled, 2013

Wang Tiande’s signature technique came out of a chance happening when, in 2002, the artist’s cigarette fell onto his paper. In his works today, he intentionally sears his paper using lit sticks of incense in place of a brush, layering burned landscapes and calligraphy atop paintings in ink and brush, allowing for glimpses of ink to peak through the negative space of his burnt strokes.

© Wang Tiande, photo: Maurice Aeschimann, Geneva