For her first European solo show Typhoon Coming On, American artist Sondra Perry has transformed the walls of the Serpentine Sackler Gallery into a seasick-inducing corridor of computer generated waves. Made using open-source software Ocean Modi, the purple hue references the programmes colour warning, which appears when there’s a problem with the simulation. Every so often the projections flick to the manipulated surface of J.M.W. Turner’s 1840 painting Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), the canvas grossly deformed into an oily sludge.
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